Friday, November 4, 2011

Frankie Manning [1914-2009]

Frankie Manning (May 26, 1914 – April 27, 2009) was an American dancer, instructor and choreographer. Manning is considered one of the founding fathers of the Lindy Hop.







Early years

Manning was born in Jacksonville, Florida in 1914. He moved to Harlem at the age of 3, with his mother, who was also a dancer. Frankie began dancing as a child, then started attending the early evening dances for older teens at the Rennaissance Ballroom. When he was older he started going to the Savoy, which was for better dancers. He frequented Harlem's Savoy Ballroom in the 1930s, eventually becoming a dancer in the elite and prestigious "Kat's Corner," a corner of the dance floor in which impromptu exhibitions and competitions took place. During a dance contest in 1935, Manning and his partner Frieda Washington performed the first air step (often referred to as an aerial) in a swing dance competition against George "Shorty" Snowden and his partner Big Bea, at the Savoy Ballroom. The air step he performed was a "back to back roll" and was danced while Chick Webb played "Down South Camp Meeting", which was Manning's request after having heard the song earlier in the evening. The airstep went flawlessly to the music and astonished over 2,000 audience members watching.

Career 

 

In 1935, Herbert White organized the top Savoy Ballroom lindy hop dancers into a professional performance group that was eventually named Whitey's Lindy Hoppers. Manning created the troupe's first ensemble Lindy Hop routines and functioned as the group's de facto choreographer, although without that title. The troupe toured extensively and made several films. While with Whitey's, Manning also danced with Norma Miller, who became known as the Queen of Swing. Whitey's Lindy Hoppers disbanded around WWII when many of the male dancers were drafted. After the war, in 1947, Manning created a small performance group called the Congaroos. When the Congaroos disbanded in 1955, Manning quietly settled into a career with the United States Postal Service.

This is a clip from the 1941 short film Hot Chocolate ("Cottontail") featuring Duke Ellington & Orchestra and also Whitey's Lindy Hoppers. Frankie Manning is the one with the white hat: 



Here's also a YouTube link to a clip from the film Radio City Revels where Whitey's dancers appeared uncredited as Whitey's Hopping Maniacs. Frankie Manning is the one in the plaid shirt. Unfortunately, for some reason I cannot post the video here. Finally, you can check my post Hellzapoppin [1941] for a clip of the celebrated lindy hop sequence with Whitey's Lindy Hoppers.

The Lindy Hop

In 1982, Al Minns, a former member of Whitey's Lindy Hoppers, started to teach Lindy Hop at the Sandra Cameron Dance Center where he introduced a new generation of dancers to the Lindy Hop. Before he died in 1985, he told his students that Manning, another surviving member of Whitey's Lindy Hoppers, also lived in New York City.

In 1986, dancers Erin Stevens and Steven Mitchell contacted Manning and asked him to teach them the Lindy Hop. Manning at first declined, before finally agreeing to meet with them; he was skeptical that a much younger generation would really be interested in swing or Lindy. However, Mitchell and Stevens returned to California and helped to spread Lindy Hop to the West Coast and other areas of the U.S. Thus, the swing revival began. That same year, Lennart Westerlund contacted Manning and invited him to Sweden to work with The Rhythm Hot Shots. Manning traveled to Sweden in 1987 and returned there every year from 1989 onward to teach at the Herräng Dance Camp.

Recent years

Once the swing dance and Lindy Hop revival took hold during the late 1980s, Manning taught Lindy Hop to eager devotees around the world, occasionally appearing with Norma Miller. Sometimes, dance workshops returned him to places he hadn't been in decades. For example, Frankie first visited Melbourne, Australia in 1939 to perform at the Princess Theatre. The swing revival and Melbourne's Swing Patrol, brought him back again in 2002; it was his first visit to Melbourne in 63 years.

At the age of 75, Manning co-choreographed the Broadway musical Black and Blue, for which he received a 1989 Tony Award. In 2000, he was awarded a National Endowment for the Arts National Heritage Fellowship.

Manning's autobiography, Frankie Manning: Ambassador of Lindy Hop, written with co-author Cynthia R. Millman, was published by Temple University Press in May 2007. It contains a collection of stories about the early days of swing dancing, Manning's years performing with Whitey's Lindy Hoppers, his experiences during World War II, and his post-war dance troupe, the Congaroos. The book also recounts his experiences of the revival of swing dancing that began in the mid-1980s, and the two decades following.


In recent years, Manning's annual birthday celebrations have drawn together dancers and instructors from all over the world. His 80th birthday, in 1994, was commemorated by a weekend-long celebration in New York City; his 85th culminated in a sold-out party at New York's Roseland Ballroom, where a pair of his dance shoes were placed in a showcase along with those of dancers such as Fred Astaire. For his 86th birthday, a huge gala was held in Tokyo in his honor, which included workshops taught by the maestro himself; the climax of the festivities featured a live orchestra. Manning drew a huge crowd of Japanese and foreign expatriate swing enthusiasts for this memorable occasion. Dedicated cruises were organized for his 89th and 90th birthdays; for his birthday dances, Manning followed his custom of dancing with one woman for every year of his life, partnering 89 and 90 women, respectively, in succession.

Before his death in April 2009, Manning had been planning to celebrate his 95th birthday in May 2009 in New York City at a special Lindy Hop dance event over Memorial Day weekend. The event, commonly referred to as Frankie Fest or Frankie 95, proceeded without him but in his memory and gathered dancers and instructors from around the world. In anticipation of the event, dance groups from all over the globe posted more than 160 videos to YouTube of local performances of the Shim Sham (a swing line dance long associated with Manning) as well as many videos of a Savoy-style routine choreographed especially for the Frankie 95 celebration by noted swing dancer and Lindy instructor Peter Strom. On Sunday of Frankie 95, attendees attempted to set three Guinness world records in Central Park, including one for the greatest number of people dancing the Shim Sham simultaneously in one place.

Proceeds from the five-day Frankie 95 celebration were used to create a Frankie Manning Foundation.

A resident of Corona, Queens, Manning died in Manhattan on April 27, 2009.

Manning was inducted into the National Museum of Dance C.V. Whitney Hall of Fame in 2009.

[http://en.wikipedia.org/wiki/Frankie_Manning]

 

Shim Sham

Leonard Reed
The Shim Sham Shimmy, Shim Sham or just Sham originally is a particular tap dance routine. It is credited to Leonard Reed, who originally called it Goofus, or to Willie Bryant. For swing dancers, today it is kind of line dance that recalls the roots of swing.
 
The Shim Sham routine created by Leonard Reed and Willie Bryant in 1927 uses four popular steps of the period: the Shim Sham, the Pushbeat and Crossover, the Tackie Annie or Tack Annie, and the Half Break. There are several variations of the Shim Sham - one developed by Frankie Manning, another by Al Minns and Leon James (also called the "Savoy Shim Sham"), and a third by Dean Collins.

 

The Shim Sham is 10 phrases of choreography (each phrase lasting four 8-counts), so it does not usually take up an entire song. After the Shim Sham was over, the dancers then would exit either stage left or right, depending on what was agreed upon for that show.

Today in the Lindy Hop scene, once the Shim Sham choreography is over, dancers typically grab a partner and break into lindy hop for the remainder of the song. During this portion of the song, the band or a DJ may call out "Freeze!" or "Slow!" instructing the dancers to either stop where they are or dance slowly, then call out "Dance!" to tell everyone to resumes normal dancing.


The Frankie Manning version adds a Boogie Back/Boogie Forward phrase and Boogie Back/Shorty George phrase to the end of the basic choreography, then repeats the basic choreography before the Lindy break—but in repeating adds a pause or break at the end of each 8-beat phrase/dance move. Only after the repeats are ended do the dancers break into free Lindy Hop with swing-outs.

The Shim Sham goes best with swing songs whose melody lines start on beat eight, as does the choreography. An obvious choice is "The Shim Sham Song" (Bill Elliot Swing Orchestra), which was written specifically for this dance and has musical effects (e.g., breaks) in all the right places. However, today the Shim Sham—particularly the Frankie Manning version—is danced more often to "'Tain't What You Do (It's The Way That Cha Do It)" by Jimmie Lunceford and His Orchestra, or "Tuxedo Junction" by Erskine Hawkins. In fact, it is typical now at a Lindy dance party for dancers to start up a Shim Sham whenever "'Tain't What You Do" is played. There is also a recording of "Stompin' at the Savoy" with the George Gee band where Manning himself calls out the moves.  

[http://en.wikipedia.org/wiki/Shim_sham] 
 
Finally, I suggest you visit DJ Chrisbe's site to learn more about Jimmy Lunceford's version of the song "'Tain't What You Do": Song of the Week #91

 

Thursday, November 3, 2011

Groovie Movie [1944]

In the 1930s, MGM was forced to create a lot of material to fill the programs of its vast empire of movie houses. At that time, an evening at the movies included two features, interspersed with various "short subjects" which included newsreels, travelogues, cartoons, documentaries, and other items. One of the most successful producers of shorts was a man named Pete Smith who had a quirky, nasal voice. His shorts were almost surrealistic, featuring a wide variety of experts (archers, bowlers, horsehoe pitchers, etc) doing seemingly impossible tricks. Instead of being a diversion, the Pete Smith Specialties came to be major attractions. People would come to see a picture that was a real stinker if the marquee said "New Pete Smith Short."
                                                                              
In 1942, Smith took on Jitterbug in a film short called Groovie Movie, a comical look at the world of Swing dancing, starring Jean Veloz, Arthur Walsh, Chuck Saggau, and Irene Thomas. The 9 minute film spoofs both dance instruction and efforts to find high culture in jitterbug. Taking on the Arthur Murray visual techniques, Jean and Arthur appear in uniforms that are half black and half white with foot- and hand-prints to show proper position. An animated sequence of footprints begins logically and soon becomes a hopelessly complicated mess. Through the parody and comedy, Groovie Movie shows some of the finest examples of the Hollywood Style of Lindy Hop that have ever been filmed. Today, Swing dancers continue to mine this cult film for dance moves and techniques.

[http://www.jitterbuzz.com/groomoo.html]

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